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ST6W7QRX# 1« dC•#öºfkÃO 8ºO _«¬@-%dº#®98}¨‚PB#»¼%P¬-.<`6«e[¯×%• í8"% •QRA#ªº° #ƒE EFO _«¬@-%d@Ao#®98}¨‚P@A#»¼%P¬-.<`6«eEF-% •í8"v% •QRA#ªº° #ƒE 2« A>dC#„…G'%†AA>#»¼G'9:¨E«.%>AA>#»¼G'z••…¨€ « .´X1CMNGE (1) N"H 1« 8ºO ‡ˆ‰dîŠ9•8‚‹|Œ#(|…#•Žï %²B•8Ø%1998 "%99-100 °E 2« EF@AO Zº\±$•:#‘’³ % î““A)ïi 4 A%1966 " 9 v%34 °E 3« ‚”‚@A¸ª·@AO ‡ˆ‰d±(8•)lÝß³% €•A)‚”ï %i 5 •îÝßP II覆%(r–B—%1979 "%256 °E 4« ‚PBO z|{}‚˜•™-}/îAšHI#G€›ï %朕/P%tž×%lŸ ™A¡%1983 "%55 °P (Pierre Brunel et alii, La critique littéraire, PUF, coll. « Que sais-je ? », 1977)E 5« ‚P@A¸ª·@AO ¢•|}‚ ™-)8±¡£HI#À5³% ¤} ™‚a|NVîÜnHI#¿•ï% §f×%1968 "% 213 ° ¨Georges Poulet (ed.), Chemins actuels de la critique, Paris, Plon, 1967)E 6« ý[A>#fO _—Ã#fGQWXaC6»¼OP ч 36 °E dCx-WÃ#fGQWXaC6»¼%«¬-.B?O ‡ˆ‰d%Ã¥B%18 °E ‡ˆ‰d%Ã¥@A%66 °E eÑ\«¬GM6A>2ê¦QWXaC6»¼%B-.B?O ‡ˆ‰dîŠ9•8‚‹|Œ#(|…#•Žï %29 °E 7« GJOGJ-¨í8³«%"%v%¹E§| O2P ¦'$ßE Q""@H CQe1:yØ×Ü}•]UHF.6H'Kj5à « ~KE~ $y:zÒ*D:V?!"1:yØ×$ »1–DÝHV? 1« 8ºO Northrop Frye, Anatomie de la critique, Paris, Gallimard, 1969, p. 336 ( 63-65 (ꦧ| \§| #»¼), pp. #»¼). 2« @A¸O Georges Poulet (ed.), Chemins actuels de la critique, Paris, Plon, 1967, pp. 132-135, 227. ¨V¬' (ed.) Kô?Eê¦#«¬2C6»¼K%5X3#nd¬#0.ô?»¼'% Goreges Poulet et alii Rp%/#«¬.In?6E« 3« EF@AO Gilbert Nigay, « Les bulletins et publications de « Sociétés d’amis » (1900-1967) », Revue d’Histoire littéraire de la France, 1967, pp.792-802. ¨EF'•8"tW–K1x%•(Vol. VIII)%A¨No 2« %•8vo‚"¨février 1967«. dC?6»¼Oýx‹3X6E« 4« @A¸ª·@AO Richard Kearney, « Le mythe chez Girard, un nouveau bouc émissaire ? », in Paul Dumouchel (ed.) La Violence et le sacré, Grasset, 1985, pp.35-49. 5« ý[A>fO _—Ã#fGQWXaC6»¼OIbid., p. 35. (9®•)lG) dCx-WÃ#fGQWXaC6»¼%«¬-RROGO Pierre Brunel, op. cit., p. 77. (9®•)lG) eÑ\«¬GM6A>2ê¦QWXaC6»¼%B-.<`6O Pierre Brunel, Le mythe de la métamorphose, p. 65. 6« º#í8³2$Â#»¼¨s. l. =sans lieu«%[¯"2$Â#»¼¨s. d. =sans date«EqA# »¼ (n.p.) (n.d.)E 7« GJOGJ-¨í8³«%¹%v%"E §10. YZ6WQ CO"Aª$.!"35s:VSjD1º<S,*-Øö"#,vD¡:VôÛ3yBD<5Z: z•1;#&UV? ±€e"1,M&íº<5J,-#'.COD<S5•ö!"$:”5"AªD]ŽV? 1« N9•78OA>HI2ýC»¼'%HI#š¨GMVaà¨?6%Œ6C'A>#¾* GMVaà¨?61[#½¾.?6R©R1O#R16E\âfG'%k\1[i\—m n%Bª%EF%@A%GJ‚EF#ƒGà¨pa¥x?6E 2« Cxƒ`O«¬-¢GCxp%5#“ú«Œ6C'•}Ž¬-)8ƒG®Ô6E 3« ¹º*A>O‡C¨9. QRA>#dC¿•% ¨1«†A«.;{E 4à ‚""A½ªÿ$.G=N1ƒµ#²,A.71äDÿ]:V?ÿø]DBQD,Vƒµ$.2 Q z(ƒ1Q3"•M_)ˆVÜ•ec&'ëäà? ¨Å 1« BERGUEZ, Daniel, L’explication de texte littéraire, 2e édition, Paris, Dunod, 1996. ¨Å 2« Tadié (Jean-Yves), Proust et le roman, Gallimard, 1971. C«¬2ê¦#»¼O Welleck (René), Warren (Austin), La Théorie littéraire, Paris, Seuil, 1971. CV¬-.ô?»¼O BEHAR, Henri, FAYOLLE, Roger (ed.), L’Histoire littéraire aujourd’hui, Paris, A. Colin, 1990. CEF@A#»¼O «¬-¨@%-#ƒ«% « ®98} »%in¨Opx' dans«2j•8¯-¨9®•) l#K«%ƒ•|œ-%•¦%í8"%¥x§| ¦E Ex. : Quémar (Claudine), « Sur deux versions anciennes des "côtés" de Combray », in Etudes proustiennes II, 1975, pp.159-282. §11. [\ !"]¨m„WRST.ìR-A€ó±<.™…:VÍ«.n†3õH,J;#? 1« p°Õ#u»GDVa%(–)pp0—p%°±?6E«p'²÷fKŒ6E 2« {w%Ôw#1CMNGfÙ?6E³|abKAÊ.:;?6O#'´GfÙ.ß?E 3« w¯%d1[OºAR#µ¼ž.xê?6E 4« R*#+\E (eczG‘ÌOØI!"1hè›Æ G1-11N$.G8 4 ãt ‘ÌOØ!"5s1 abcN. Ô¡‡9:1::j--e+3-ˆÛÜW"cò[à3÷O-D¯Ã<S?(Ét IŠ‹ŒÃt •)
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