Dissidences Hispanic Journal of Theory and Criticism Volume 3 | Issue 5 Article 2 11-30-2012 César Vallejo's Ars Poética of Nonsense: A Deleuzean Reading of Trilce Rolando Pérez Hunter College Follow this and additional works at: http://digitalcommons.bowdoin.edu/dissidences Recommended Citation Pérez, Rolando (2009) "César Vallejo's Ars Poética of Nonsense: A Deleuzean Reading of Trilce," Dissidences: Vol. 3: Iss. 5, Article 2. Available at: http://digitalcommons.bowdoin.edu/dissidences/vol3/iss5/2 This Article / Artículo is brought to you for free and open access by the Journals at Bowdoin Digital Commons. It has been accepted for inclusion in Dissidences by an authorized administrator of Bowdoin Digital Commons. For more information, please contact jmontgom@bowdoin.edu. César Vallejo's Ars Poética of Nonsense: A Deleuzean Reading of Trilce Keywords / Palabras clave Vallejo, Trilce, Deleuze, Poetry, Peru, Latin America, Avant-Garde, Vanguardia This article / artículo is available in Dissidences: http://digitalcommons.bowdoin.edu/dissidences/vol3/iss5/2 !" ## "$ %&#'(" )! # # *)"!# )! + , -" " '# !#+ #% - """ .(+/" " #'(!."' 0122+'33" "" ."'(33 .44. )5.+% ' " ! 6'(.' + Dissidences. Hispanic Journal of Theory and Criticism 4/5 (2008) 1 (78019:;!."- ' "<7)"#(, ""801=0;!6 .' +> #-+ 8';'.'<7)"! -733'" ""?0@#33' ! '("+ .#!#' "- ." +"# 7.#!.-+#"" #<7) "#!"'(." !"." .+ Tr. I Quién hace tánta bulla, y ni deja testar las islas que van quedando. Un poco más de consideración en cuanto será tarde, temprano, y se aquilatará mejor el guano, la simple calabrina tesórea que brinda sin querer, en el insular corazón, salobre alcatraz, a cada hialóidea grupada. Un poco más de consideración, y el mantillo líquido, seis de la tarde DE LOS MAS SOBERBIOS BEMOLES. Y la península párase por la espalda, abozaleada, impertérrita en la línea mortal del equilibrio. César Vallejo, Trilce. Edited by Julio Ortega. Madrid: Cátedra, 1991. P. 43. Dissidences. Hispanic Journal of Theory and Criticism 4/5 (2008) 2 -"<7) ## 8++#.! A?0121@;B'6'. ("("C#>6C#43 4 *D #DE# ', *+%".# "# "- #!("4/#&, C(#*&A%# #"." #! ""<7 " + %."""''."! !6#."(* (.#(" ""+-6 . """# F. 6'" !C!+-" !C " ''.'"*" ( +"" #G"((#""7 (+ ,'.!.#6 #" #'. (!.' "8(;#( '6 '.+ " #78019:;" "<7800H;+-!."'(# Dissidences. Hispanic Journal of Theory and Criticism 4/5 (2008) 3 <7I'.'." "7) + "!"-+'(") "+/"-+#7I # J- )# ! ! A$! K#L. # ' <7# .!+D* 'K A#K# 7#* +D6.7*<7 A " A ! *8019:02M;+ %> #%.#"6#("-+' " " ""8.0N:;#CE80191; .# ""-+"" '# " .#""!6"+" '" ## E# 3 #'"82=0;+ #O3!801=H;.)!!" "" " ."' " ! " .8 .9;+>O3! <7) "(#"" "'"") 7 +-!2#*! *O3!.<7!"(. '." 8'+1;+-O3!)<73( "# "!#-+ 8'+09;+- '! Dissidences. 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