Misa Inmaculada Concepcion - alejandro consolacion ii

NIHIL OBSTAT: Rev. Fr. Leo Nilo C. Mangussad
Minister of Liturgical Music
IMPRIMATUR:
DATE:
+ Gaudencio B. Cardinal Rosales, D.D.
Archbishop of Manila
30th October, 2007
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Alejandro D. Consolacion II
Misa
Inmaculada
Concepcion
for cantor, congregation and mixed voices;
with brass, percussions and organ
VOCAL SCORE
Copyright В© August 2007 by Alejandro D. Consolacion II
Published and Owned by the Manila Cathedral-Basilica.
All Rights Reserved
It is illegal to photocopy music.
PUBLISHED BY :
Cathedral-Basilica of the Immaculate Conception
MANILA METROPOLITAN CATHEDRAL-BASILICA
Cabildo cor. Beaterio, Intramuros, Manila
Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192
Mobile: 0917.400.9131, 0928.743.0067
E-mail: mlacathedral@yahoo.com, mlacathedral@hotmail.com
www.manilacathedral.org
В© Alejandro D. Consolacion II 2007
Published and Owned by the Manila Cathedral-Basilica
All rights reserved. No part of this publication may be reproduced, stored in a
retrieval system, or transmitted, in any form or by any means, without the prior
permission in writing from the publisher/owner or as expressingly permitted by
law. Inquiries concerning reproductions outside the scope of the above should be
sent to the publisher/owner .
Permission to perform or to record the works (except in the course of divine
worship) should be obtained from the Manila Cathedral-Basilica.
First published 2007
Cover design by Matthew Niel Hebrona
Cover is a detail of 6W$QQHRIWKH,PPDFXODWH&RQFHSWLRQcirca 1627
ComposerвЂ™s photo by Ferdie Espeleta
Music originated on Sibelius
INSTRUMENTATION
(a) Large Ensemble:
3 Trumpets in Bb
2 Tenor trombones
Bass trombone
Tuba
Timpani and Percussion (2 players)
Organ
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2 Trumpets in Bb
Timpani and Percussion (1 players)
Organ
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CONTENTS
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MISA INMACULADA CONCEPCION
Panginoon, Maawa Ka
1
55
Papuri sa Diyos
4
57
Alleluia
22
64
Santo
27
66
Misteryo ng Pananampalataya
29
68
Dakilang Amen
30
68
Ama Namin
30
69
Aklamasyon sa Ama Namin
34
71
Kordero ng Diyos
35
71
Mary Crowned with Living Light (QWUDQFH+\PQ
38
73
Remember, O Mary Immaculate 2IIHUWRU\+\PQ
41
74
Holy Mother of our Savior &RPPXQLRQ+\PQ
44
76
Holy Mary, Now We Crown You )LQDO+\PQ
48
78
MARIAN HYMNS
FOREWORD
Minor Basilica of the Immaculate Conception
MANILA METROPOLITAN CATHEDRAL-BASILICA
CABILDO cor. BEATERIO, INTRAMUROS, MANILA, PHILIPPINES
Tels. 527-1796, 527-3093, 527-3889, 528-3876 Fax: 536-0192
Alejandro D. Consolacion IIвЂ�s new composition, entitled 0LVD,QPDFXODGD&RQFHSFLRQ, launched at the 2nd
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acknowledged role as the launching venue of new liturgical compositions in the Archdiocese of Manila becomes
a functional reality.
Indeed, in restoring the historic, half-a-century-old MCB Pipe Organ to its original form and function
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which in the 1960s and вЂ�70s was home to big concerts, generally featuring popular liturgical songs. Central to
our objectives is to make the pipe organ an instrument of inspiration, its wonderful sounds a compelling invitation
to talented local musicians, especially conductors and composers, to come up with more songs that are best sung
with the pipe organ accompaniment. It is important to note that the MCB Pipe Organ is the biggest in Southeast
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Our decision to make the Manila Cathedral-Basilica Pipe Organ Festival an annual event emphasizes MCBвЂ™s
desire to echo resoundingly the continuing call for greater support to the MCB Pipe Organ and the challenge for
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come up with a new song and launch it at the 2nd MCB Pipe Organ Festival came at a time when the CathedralBasilica was conceiving the plan of commissioning someone to compose a Marian liturgical song that would
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Immaculate Conception. In a way, he came as a handy catch, and we commissioned him to the projects thereby.
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through the marvel of music and the magical melody of the soul.
Through the annual MCB Pipe Organ Festival, we hope to offer a continuing venue for the launching and popular propagation of more compositions of this kind in the future and from different composers.
Our invitation continues and we await more responses.
(SGD.) MSGR. NESTOR CERBO
Rector
PREFACE
The Manila Cathedral-Basilica is not only the seat of the bishop; it is also the center and the inspiration for the
liturgical life in the diocese. вЂњLiturgical services are not private functions, but are celebrations of the Church,
which is the sacrament of unity, namely the holy people united and arranged under their bishop.вЂќ (Constitution on
the Sacred Liturgy, Sacrocantum Concilium n. 26)
Bearing this in mind and the organ being the perfect instrument to be used in the liturgy, the Cathedral had its
pipe organ restored in 2006 and organized a yearly festival wherein the focus is the liturgy. Special attention is
given to the music performed during the celebration of the Eucharist on December 8, this being the feast day of its
patron saint, Mary the Immaculate Conception, and December 10, the anniversary of the dedication of the PostWar Manila Cathedral - Basilica.
For a long time, the singing of a choir during the liturgy eliminated the participation of the assembly; the people
were simply to listen. With the initiation of the 2nd Vatican Council, the possibility for the community to participate became evident. The advent of contemporary/new music eventually eliminated the art-music of the choir.
The highlight of the Second Manila Cathedral-Basilica Pipe Organ Festival (2007) is the newly composed
Mass in Tagalog together with a set of Four Marian Hymns by Alejandro D. Consolacion II. The Mass is written
for congregation, cantor and choir with organ and brass. The diversity of talents present in the Church is recognized resulting in a festive and rich harmonious accord.
In most parishes, the Ordinary of the Mass is entirely sung by the congregation. In this composition, however,
the community, cantor and choir alternate, accompanied by the organ. A healthy balance between listening and
participating is explored in this composition, adding a rich polyphonic music to and thus enriching the simple
congregational singing. The alternate singing becomes the outward evidence of a church, working as the Body of
Christ, with its many parts making up a single unit.
May this 0LVD,QPDFXODGD&RQFHSFLRQ encourage the many choirs in our parishes to sing in Four Parts (Mixed
Voices), challenge the quality of playing among our organists, and enjoin the congregation to participate and be
one in worship.
(SGD.) LEO RENIER
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It was March 2007 that I received an invitation from Msgr. Nestor Cerbo, rector of the Manila CathedralBasilica (MCB), to compose a congregational mass for the use of the Cathedral. It was also during this time that
I received my new appointments as Titular Organist of the Union Church of Manila and as sub-organist at the
MCB. Being offered this chance to write works that will highlight the glorious Cathedral organ was also a good
opportunity for my dream of composing works for choir and organ to come into fruition. I am deeply humbled
and honored for this possibility.
Since this is a congregational mass, writing simple melodies that will be easily remembered by the community
was my goal, melodies that will stimulate the senses and uplift the congregation to join in singing with one accord
in the worship of God.
The 0LVD,QPDFXODGD&RQFHSFLRQ is written in two versions. The original is for Cantor, Choir and Organ with
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and keyboard. This may be used in small churches that do not have choirs to tackle singing in voices. I wrote
the accompaniment for organ, later on transcribing the original organ part for a keyboard instrument to give
consideration to churches that use the keyboard or piano. The inclusion of chords above the piano accompaniment
will be useful for amateur organists and will encourage other instrumentalists to join in worship.
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feelings in the celebration. The cantor leads the community. The choir parts were written in simple harmonization
encouraging both amateur and professional choirs to showcase their God-given talents.
The last section of this book includes four hymns for Mary, the Immaculate Conception. I wrote these to
preserve hymn singing during the liturgy. I personally believe that the teachings of the church and its theology
are located in hymns. Hymnody has been my mission for the past year after being made aware of the weakening
of hymn singing in churches not only in the Philippines but also worldwide. Most of the Marian text was drawn
from the Liturgy of the Hours.
It is my fervent hope that parishes will be able to utilize all these works, the 0LVD,QPDFXODGD&RQFHSFLRQ and
the Marian Hymns, to enrich their church worship and for the community to be able to participate more in the
liturgy.
My deepest gratitude I give to the people who have contributed wholeheartedly to this mission, namely;
Msgr. Nestor Cerbo, for his dedication and enthusiasm in propagating the liturgy through music; Leo and Donna
Renier, for their perpetual support and guidance; Cealwyn Tagle, for his continuous and enduring encouragement
especially in organ music; Ferdinand Bautista, Holland Buela and Jonathan Ayson, for their constructive listening
and editing of the initial music score; Matthew Niel Hebrona, for his creative graphic designs; Ferdi Espeleta,
for sharing his talents in photography; Jean Arevalo, for her uplifting lyrics and for patiently and meticulously
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God, the source of all wisdom.
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ALEJANDRO D. CONSOLACION II
commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival
MISA INMACULADA CONCEPCION
for cantor, congregation and mixed voices; with brass, percussions and organ
Panginoon, Maawa Ka
ALEJANDRO D. CONSOLACION II
Voices
Organ
p espress.
Sw.
Ped.
cresc.
mp
Ka.
Pa
-
no - on,
ngi - no - on,
-
ngi - no - on, ma - a
-
wa
ma
-
a
-
ma - a
-
wa
wa
Ka.
Ma - a
mp cresc.
SOPRANO
ALTO
-
TENOR
BASS
mp cresc.
В© Copyright 2007 Alejandro D. Consolacion II
Published/owned by the Manila Cathedral-Basilica
Photocopying this copyright material is ILLEGAL.
wa
Ka
with CONGREGATION
Ma - a
Ka.
Pa
-
ngi -
14
Pa
p legato
Ch. 8' and 2'
8
CANTOR SOLO
Moderato ( q = c.105 )
-
wa
Ka
sa
-
a
-
poco dim.
-
poco dim.
sa
a
-
2
CHOIR only
23
mf espress.
min.
Kris
Solo
-
Ka.
Ka
ma - a
Sw.
Kris
-
a
-
dim.
p
-
-
to,
ma -
Ma - a
dim.
-
wa
Ch. 8' and 2'
p
Sw.
Ka.
min.
Kris
wa
-
ma - a
p
Ka.
Man.
Ped.
sa
wa
to,
-
cresc.
cresc.
mf
39
mf espress.
wa
to,
3
31
a
-
3
DESCANT SOPRANOS
47
mp espress.
Pa
ALL VOICES
and CANTOR unis.
mp espress.
Pa
-
-
ngi - no - on, ma - a
ngi - no - on, ma - a
-
wa
-
Ka.
Pa
-
wa
Ka.
Pa
ngi - no - on, ma - a
-
ngi -
-
wa
54
no - on,
ma
-
a
-
Ka.
Pa
-
wa
Ka,
ma
61
Ka,
sa
a
ngi - no - on,
-
-
ma
-
-
a
a
-
-
wa
Ka.
Ka.
with CONGREGATION
unis. poco cresc.
min.
Ma - a
wa
poco cresc.
Ma - a
p
wa
Sw.
p
-
wa
4
Papuri Sa Diyos
CANTOR
Jubilant ( q. = c.70 )
Voices
Organ
Pedal
mf sempre marcato
Gt.
pu - ri
sa
Diyos
sa
Ka - i - ta - a - san, at sa
mp
lu - pa'y
sa
Diyos
sa
Ka - i - ta
Pa -
ka - pa - ya
2.
Pa - pu - ri
mf
13
Sw.
2.
with reeds.
1. 6
1.
a - san
at
sa
lu -
cresc.
pa - an.
cresc.
-
-
pa'y
ka -
5
20
pa - ya
-
-
an.
34
lu - pa'y
f sempre marcato
Pa - pu - ri
sa
Diyos
sa
Ka - i - ta
ANTIPHON
mf unis.
CHOIR and
CONGREGATION
Gt.
pa
27
-
a - san
at sa
Gt. brightly
Sw.
ka - pa - ya - pa - an.
Pa - pu - ri
sa
Diyos
sa
Ka - i - ta -
6
41
div.
a - san
at sa lu
-
pa'y
ka
-
pa
-
ya
-
ff
pa
-
an.
div.
48
ff
ff sempre marcato
mf
CANTOR
1. At sa
7
54
lu
- pa'y
ka - pa - ya - pa - an
Sw.
mf
Pi - nu - pu - ri
69
f with CONGREGATION
Si - na
-
f
Si - na
Ka
f
-
sam - ba
sam - ba
Ka
Ka
na
na - min,
-
ra - ngal
Ka
na - min,
Ka
Ni - lu - lu - wal - ha - ti
cresc.
Ni - lu - lu - wal - ha - ti
na - min,
Di - na
trmpt.
- min,
Ped.
61
sa ma - nga ta - ong may ma - bu - ting ka - lo - o - ban.
Ka
na - min,
na - min,
Gt.
f
Sw.
8
77
Pi - na - sa - sa - la - ma - tan
Ka
Pi - na - sa - sa - la - ma - tan
Ka
na - min
da - hil
cresc.
cresc.
sa
da - ki -
na - min
da - hil
sa
da - ki -
la
la
84
Mong
Mong
kal
-
kal
wal
-
wal
ha
-
-
ha
-
ti - an.
ff
ti - an.
ff
ff marcato
ff
-
cresc.
9
90
ANTIPHON
mf unis.
sa Diyos
sa
ka - i - ta Pa - pu - ri
97
a - san
104
ka - i - ta
div.
Pa - pu - ri
sa
Diyos
sa
div.
mf brightly
ka - pa - ya - pa - an.
at sa lu - pa'y
-
a - san
at sa
lu
-
pa'y
ka
-
pa
-
ya
pa
-
-
10
110
ff
CANTOR mf
2. Pa - ngi-
an.
ff
ff marcato
118
no - ong Diyos,
mf
Ha - ri ng
Ped.
126
no - ong
He - su - kris -
to,
Pa - ngi-
Bug - tong
na
A - nak,
poco cresc.
La - ngit, Diyos A-mang Ma - ka - pang - ya - ri - han sa la - hat.
Sw.
11
134
f
with CONGREGATION
Pa
-
f
ngi - no
-
ong
f
Pa
-
ngi - no -
ong
Diyos,
Kor - de
ng
f
Diyos,
Kor - de
-
ro
ng
Diyos,
ro
-
Diyos,
A-
A-
142
nak
nak
ng
ma,
A -
nak
ng
ng
A -
A -
ma,
f
A -
f
nak
A -
ng
A -
12
150
ff
ma.
ff
ma.
ff
ff marcato
157
ANTIPHON
mf unis.
Pa - pu - ri
sa
Diyos
sa
ka - i - ta - a - san at sa lu - pa'y
mf unis.
ka - pa - ya - pa - an.
13
165
div.
Pa - pu - ri
sa
Diyos
sa
ka - i - ta - a - san
at sa lu
div.
-
pa'y
ka
-
172
pa
-
ya
-
pa
ff
-
an.
ff
178
poco rit.
poco dim.
ff marcato
14
Andantino ( q. = c.52 )
182
p
CANTOR
ng ma - nga ka - sa - la - nan ng
I - kaw na nag - a - a - lis
Andantino ( q. = c.52 )
Sw.
p legato
189
I - kaw na nag - a - a - lis
mp unis.
Ma - a - wa Ka sa
a - min,
ma - a - wa Ka sa
ng ma-
a - min.
mp unis.
mp moving
CHOIR and
CONGREGATION
san - li - bu - tan,
15
196
nga
ka - sa - la - nan ng san - li - bu - tan,
mp unis.
Tang - ga - pin Mo ang a - ming ka - hi - li - ngan,
201
na na - lu - luk - lok
ff with conviction
ff
sa
ka - nan ng
A - ma,
mf
ff with conviction
CHOIR
I - kaw
ONLY
li - ngan.
mp unis.
tang - ga - pin Mo ang a - ming ka - hi-
Ma-
16
207
a - wa Ka sa
mf
Man.
mf
rit.
min.
mp
Gt.
f marcato
Ped.
Jubilant ( q. = c. 70 )
a -
a - min.
Sw.
mf
Ma - a - wa Ka sa
214
Ma - a - wa Ka sa
rit.
a - min.___
mp
TENORS
and BASS mf
3. Sa - pag-
222
kat
Sw.
mf
I - kaw
cresc.
la - mang ang ba- nal,
I - kaw
la - mang ang
Pa - ngi - no - on.
mf
I - kaw
Gt. f
230
la -
mang,
Sw.
O He - su - kris - to,
237
f with CONGREGATION
f Ka - sa - ma
Ka - sa - ma
Ped. f
244
ti - an
ti - an
Sw.
ang
Ka
-
ta
-
ng Es - pi - ri - tu
San - to,
ng Es - pi - ri - tu
sa
as
-
San - to,
sa
-
Ka
ta - a - san.
-
lu - wal
lu - wal
Trmpt.
-
ha -
-
ha -
Gt.
f
ng Diyos
ng Diyos
Ka
17
sop div.
Gt.
A - ma,
A -
A - ma,
men,
ng
Diyos
A -
men,
ng
Diyos
A-
A-
18
252
A
A
ma,
-
men.
ma,
-
men.
ff
SOPRANOS DESCANT
259
CHOIR, CANTOR
and CONGREGATION
f unis.
Pa - pu - ri
sa
Diyos
sa
ka - i - ta
f
Pa - pu - ri
FINAL ANTIPHON
sa
Diyos,
Pa - pu - ri.
-
f sempre staccato
a - san
at sa
19
266
At
sa
lu - pa'y
ka
lu - pa'y
Pa
-
-
ya
-
Pa
pu - ri.
Lu
cresc.
a - san
-
at sa
Lu
cresc.
-
pa'y
pa'y
ka
sa
Pa - pu - ri
sa
Diyos
sa
div.
-
pa
-
-
pa
ka
pu - ri
-
div.
pa - an.
pa - an.
ka - i - ta
-
Diyos,
-
272
pa
-
ka - pa - ya
-
ya
-
pa
ya
-
pa
-
-
20
278
an.
an.
285
poco a poco cresc.
A -
men.
ff
poco a poco cresc.
A -
men.
ff
poco a poco cresc.
ff
A-
A-
men.
men.
ff
21
292
fff A
fff
A
non rit.
fff
-
-
men!
men.
men.
non rit.
A -
A -
297
men!
sfz
22
Alleluia
1. Jubilant ( q. = c.70 )
Voices
Organ
Pedal
Gt.
lu
-
ia,
Sw.
al - le -
Al - le - lu
lu
-
-
ia,
al - le
al - le
ia,
-
lu - ia,
2.
al - le
lu
Al - le -
-
mf
13
CANTOR
2.
f sempre marcato
mf
6
1.
-
ia.
-
lu
-
ia.
21
With CONGREGATION
Al - le - lu
mf
-
Al - le - lu
mf
-
Al - le - lu
lu
lu
lu
lu
-
-
-
-
ia,
ia,
-
le
al
-
le
ia.
-
ia,
ia,
al
-
le
lu - ia,
-
-
lu -
-
ia,
lu - ia,
lu,
ia,
al - le
lu - ia,
al
le
-
-
le
-
-
-
le -
-
-
-
-
al
-
al
-
al
-
ia,
ia,
lu - ia,
-
lu - ia. Al - le - lu
al - le - lu - ia.
-
-
Al - le - lu
al - le
-
-
-
al - le
-
al
-
le
-
Al - le
Al
-
-
-
lu -
ia.
-
lu -
ia,
le
-
lu
-
-
-
al - le
-
le
ia,
-
al - le
ia,
al - le - lu - ia.
lu
al
-
-
-
27
al - le
-
Al - le - lu
ia,
mf
al - le
mf
ia,
-
Al - le - lu
23
ia,
al - le -
lu - ia.
Al
-
-
-
le
-
lu -
ia,
24
33
al
ia,
al
al
lu
-
-
-
-
ia,
al
al
le
-
-
-
-
le
-
le
-
-
-
38
le
-
-
-
-
-
-
-
-
le
lu
-
ia.
lu
lu
-
-
ia.
lu
ia.
-
"Ma - pa
-
lad ang ma - nga
ia.
ia.
Sw.
Nag -
-
mp legato
lu
wi - ka ang Pa - ngi - no - on,
CANTOR
ta - ong
nag -
25
42
ti
-
ti - pon
sa
A - king
Al - le
- lu
- lu
Al - le
- lu
-
-
mf
Al - le
- lu
-
mf
Al - le
- lu
-
ia,
al - le -
ia,
al
ia,
ia,
al
al
-
-
-
lu -
ia.
al
-
le - lu
lu - ia,
le - lu,
al - le
ia,
le - lu - ia,
-
al - le - lu -
ia,
mf
-
mf
Al - le
With CONGREGATION
Al - le
Nga - lan."
45
cresc.
al - le
al - le - lu - ia,
le - lu - ia,
al - le
al - le
-
-
lu
-
lu
-
-
-
lu
-
-
lu
-
Gt.
mf
Sw.
26
52
ia.
ia,
Al - le - lu
al - le
ia,
-
lu - ia. Al - le - lu
al - le - lu - ia.
al - le - lu - ia.
Ped.
le
Al
-
lu
-
-
lu
-
le
-
-
lu
-
-
-
lu
-
-
lu
lu -
ia,
lu -
-
lu
le
-
lu
ia,
-
-
-
ia,
al - le
al -
ia,
al -
al
-
ia.
-
ia.
-
-
lu - ia,
-
al -
ia.
-
ia.
-
-
-
-
-
-
-
poco rit.
-
le - lu - ia.
al le
le
Al
le
al - le
ia,
Al - le
58
al - le
ia,
-
ia,
al - le - lu - ia.
-
ia,
rit.
poco
ia.
ff
2
2
27
Santo
Triumphantly ( q = c. 115 )
Voices
Organ
10
CHOIR and CANTOR
f proclaiming
San - to, San - to,
f
Ped.
ri - han, Na - pu - pu - no ang
la - ngit at
18
CHOIR
to,
Pan - gi - no - ong Diyos
ng
na ma- ka -pang - ya-
ka - lu- wal - ha - ti
-
an
Mo.
cresc.
Ho - sa - na, ho - sa - na sa
mf
Ho - sa - na, ho - sa - na sa
ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa
ka - i - ta - a - san. Pi -
f with CONGREGATION
f
lu - pa
-
Trmpt.
Gt.
San
f
ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa
mf
ka - i - ta - a - san. Pi -
mf
28
27
CANTOR and
CHOIR
nag - pa - la
Nga - lan ng
sa
ang na - pa - ri - ri - to
ff with CONGREGATION
Ho -
ff
Ho -
sa -
sa -
na
na
ka
ho - sa - na
sa
sa - na,
sa
ka
ka
-
-
i - ta
i - ta
ka
-
i - ta
rall.
-
-
i - ta
-
sa
ho - sa - na
ff
sa
ff
-
a
a
rall.
a - san.
a - san.
-
-
san.
-
-
-
san.
ho -
Ho - sa - na,
Ho - sa - na,
-
on.
-
poco cresc.
Pa - ngi - no -
sa - na,
40
34
poco cresc.
ho -
29
Misteryo ng Pananampalataya
Moderato maestoso ( q = c.90 )
Cantor
Soprano
Alto
Tenor
Bass
Organ
6
f
Man.
Kris
-
Si
Kris
-
Ped.
Man.
to'y na - bu - hay.
to'y na - bu - hay.
Si Kris - to
na - ma - tay.
Si
Kris - to'y na - bu - hay.
na - ma - tay.
na - ma- tay.
Si
ay
Ped.
Si Kris - to
Gt.
ay
ay
Si Kris - to
f
Si Kris - to
f
f
f
CANTOR with
BASSES
Trmpt.
with CONGREGATION
Man.
ay
ba - ba - lik sa wa -
30
12
ff
Si
Kris - to
ff
kas ng
Kris - to
ba - ba - lik
sa
ay
ba - ba - lik
sa
wa - kas ng
ff
-
pa - na
hon.
wa - kas ng
pa - na
-
hon.
rit.
ff
pa - na - hon.
ay
Si
rit.
Ped.
Dakilang Amen
Moderato maestoso ( q = c.90 )
Cantor
Soprano
Alto
Tenor
Bass
Organ
f
A
a - men.
A
with CONGREGATION
Trmpt.
f
A
a - men.
-
men,
Man.
men,
f
-
-
men,
a - men.
f
Ped.
A
-
Man.
31
6
A
- men, a
-
Ped.
- men, a
-
-
ff
ff
men.
men.
-
men,
-
men,
men,
a - men, a
Man.
a - men. A
a - men. A
-
-
- men,
ff
Ped.
-
men, a
rit.
a
-
ff
men.
A
-
men, a
A
men, a
A
-
men.
12
A
-
men.
men.
rit.
-
32
Ama Namin
Voices
Organ
Andante ( q = c.67 )
mf
Sw.
mf espress.
12
Mo,
lu - pa pa-ra ng sa
la - ngit.
17
ka - nin sa a - raw -
a - raw.
At pa
Big
-
-
yan
Sun - din ang lo - ob
Mo po ka - mi nga - yon
Ped.
Ma - pa - sa - a-min ang ka - ha - ri - an Mo,
di - to sa
Sam- ba - hin ang Nga - lan Mo,
Sw.
Ch.
A - ma na - min, su - ma - sa - la - ngit Ka,
7
CANTOR. CHOIR and
CONGREGATION
ng a- ming ka-
ta - wa - rin Mo ka - mi
sa
a- ming ma- nga sa - la,
pa - ra
33
22
nang
pag - pa - pa - ta - wad
na - min
sa nag - ka
27
ming
-
ka - sa - la sa
a - min.
i - pa - hin - tu - lot sa tuk - so,
at i - ad - ya
cresc.
dim.
ma,
sa la - hat
ng ma - sa
f
ka - mi
mf
-
sa
-
h'wag Mo
po
f
sa la - hat ng ma- sa
ff
sa-
-
ma.
ka -
f
mf unis.
f
cresc.
cresc.
Mo
33
mf unis.
At
dim.
f
poco cresc.
poco cresc.
34
Aklamasyon sa Ama Namin
Andante ( q = c. 67 )
Cantor
Soprano
Alto
Tenor
Bass
Organ
5
f
ti - an,
ti - an,
Sa - pag - kat
sa 'yo
f
Sa - pag - kat
sa 'yo
nag - mu - mu - la
nag - mu - mu - la
ang ka -pang -ya - ri - han
ang ka -pang -ya - ri - han
at kal - wal - ha -
at kal - wal - ha -
f
f with CONGREGATION
Ped.
ff
mag - pa - sa - wa-lang hang - gan.
ff
mag - pa - sa - wa-lang hang - gan.
ff
A
-
A
-
men.
A
-
men.
men.
A
ff
-
men.
35
Kordero Ng Diyos
Voices
Organ
Pedal
CANTOR
Andante religioso ( q. = ca. 42 )
mp espress.
Kor - de - ro ng Diyos na nag - a - a - lis
Sw.
mp legato espress.
mf legato
san li - bu- tan,
with CONGREGATION
Ma - a - wa Ka, ma - a - wa Ka
mf legato
Ma - a - wa Ka, ma - a - wa Ka
mf legato
ng ma - nga ka - sa - la -nan ng
sa
a
-
a
-
mp
min.
Kor - de -ro ng Diyos na nag-
min.
CANTOR
sa
6
Sw.
mp
36
With CONGREGATION
a - a - lis
ng ma - nga ka-sa - la- nan ng san-li-bu - tan,
mf legato
12
Ma - a - wa Ka, ma - a - wa Ka
18
min.
mf legato
CANTOR
Kor - de - ro ngDiyos na nag - a
sa
a
-
cresc.
mf
-
a
mf legato
Ma - a - wa Ka, ma - a - wa Ka
sa
-
a - lis
ng ma - nga ka - sa - la - nan ng
san - li - bu - tan,
I-
I-
min.
37
23
pag - ka - lo - ob Nin - yo
pag - ka - lo - ob Nin - yo
sa
a - min
sa
a - min
28
p
ang
ang
ka - pa - ya - pa
-
-
poco rall.
ka - pa - ya - pa
poco rall.
an.
an.
mp
That in all things, God may be glorified!!!
August 28, 2007
Mary Crowned With Living Light
38
ENTRANCE HYMN
Words from the Stanbrook Abbey
Additional words by Jean C. Arevalo
Organ
Moderato semplice ( q = ca.100 )
f
Man.
7
Alejandro D. Consolacion II
Ped.
ALL
VOICES
13
19
In our fal - len
race,
Hea- ven sings your praise,
В© Copyright 2007 by Alejandro D. Consolacion II
Published/Owned by the Manila Cathedral-Basilica
Photocopying this copyright material is ILLEGAL.
Word.
all.
Free from sha - dow, you
Ma - ry mag - ni - fies
Mys - te - ry of
Fa - ther, Son and
ref - lect
your name
Tem - ple of
the Lord,
Lift us when we fall,
Shel - ter of the
Mo - ther of us
li - ving light,
of our God,
Place of peace and
ho - li - ness,
Who were named, u - pon the Cross
1. Ma - ry, crowned with
2. Vir - gin Mo - ther
(Choir and Congregation)
mf
sin - less life,
Ho - ly Ghost,
ple - ni - tude of grace.
through e - ter - nal days.
25
f broaden
Ma - ry crowned with
f broaden
li - ving light,
li - ving
light,
Hand - maid of
His Son,
36
the
Lord,
Cho - sen
Mo - ther
30
of
Sa - viour of
us
all.
1.
Ma - ry, Mo - ther
of
His Son,
Cho - sen from us
all.
1.
man.
39
40
2.
41
all.
2.
45
48
rit.
Remember, O Mary Immaculate
41
OFFERTORY HYMN
Text based on St. Bernard's Memorare
Paraphrased by Msgr. Nestor Cerbo
Alejandro D. Consolacion II
Allegro e legato semplice ( q = ca.130 )
Organ
mf
7
Ped.
CANTOR or MALE VOICES
mf fluidly
1. Re - mem - ber,
13
ne
you
-
con - fi - dence,
Im - ma - cu - late
Mo - ther
to
ver
was
humb
-
ly
known,
come,
Im - ma - cu - late
we
ry
it
-
that
Ma
Vir - gin,
O
such great
that
a - ny - one
Im - ma - cu - late
who comes
to
Vir - gin,
be -
42
19
pro - tec - tion
was left
your
fore you
we
stand,
cresc.
25
32
course to you.
pray
for
pray for
O
sor- row- ful.
ted.
us
who have
us
who
con - ceived with - out
sin,
pray for
us,
re -
re -
Ma - ry
have
O
as - sis -
yet
cresc.
-
sin,
Ma - ry con - ceived with - out
un
sin - ful
With Choir
43
39
pray
for
pray
44
1.
us.
48
1.
2.
2.
2. With
Holy Mother Of Our Savior
44
COMMUNION HYMN
Words by Jean C. Arevalo
Voices
Moderato e dolce ( q = ca. 85 )
Organ
Alejandro D. Consolacion II
Mo - ther of our
10
beau - ty
and the grace
15
Bles
bes - towed on
are
you,
you.
Ho - ly Mo - ther of our
a - mong
all
wo - men,
is
your
Ho - ly
Oh how great
in you,
From
Spi - rit dwells
sed
the
-
Sa - vior,
mf sempre legato
5
SOPRANOS
mf dolce
and ALTOS
Sa - viour,
God had cho- sen you.
21
O
Bles - sed
vir - gin,
your
31
Mo
- ther
of
your faith
is
e - ver - las - ting,
heart
God,
re - mai - ning e - ver
O
Bles - sed
-
cu - late.
Lead
us with your
Ma - ry,
2nd time to
gen - tle hand
to
ry,
Ma -
Im - ma
Im - ma -cu - late
45
Ma - ry,
26
Christ,
His On - ly
46
36
Son.
we
2. Ho - ly Mo - ther of our
41
Sa - vior,
SOPRANOS
and ALTOS mf
ask
your in - ter - ces - sion,
Come and help your
chil - dren,
who
46
seek
From
Ho - ly Mo - ther of our
you,
51
ALL VOICES
to rise from shame.
a - mong
Ped.
all
Sa - viour,
Bles
wo - men,
-
sed
are
you.
God had cho - sen
56
Christ,
47
His
On
-
ly
Son.
60
rall.
Holy Mary, Now We Crown You
48
FINAL HYMN
Text by Melvin Farrell, S.S.
Alejandro D. Consolacion II
FANFARE
Stately ( q = ca. 80 )
Organ
4
Solo Tpt. f
Ped.
7
11
fff
cresc.
19
15
ff
mf
OPTIONAL INTRO
49
VERSE 1 (Choir and congregation)
f
23
Andante ( q = 90 )
ALL VOICES
1. Glo - rious Queen, look down in kind - ness, while be - fore your throne we stand,
29
Watch our
homes and guard our land.
35
No - ble Vir - gin,
f
may our tri - bute
win your love
Bring God's bles- sing to your chil - dren,
Ho - ly Ma ry, now we crown you,
Ho - nored Queen of
and
gain us grace.
all our race;
mf
VERSE 2 (Choir only, in harmony)
41
2. Gate
f
of
Hea - ven,
(Organ doubles voices)
you were Mo - ther
to
the
King
of
heav'n
dim.
and earth;
dim.
50
45
mf poco cresc.
Now,
be Mo - ther
to
to
your sub - jects,
your
In
our
souls,
give
Je - sus
birth.
mf poco cresc.
49
Ho - ly
Ma - ry,
53
f
now
we
crown you,
Ho
Vir - gin,
may
our
tri - bute
f
of
all
f
61
race;
win
your
love
and
gain
us
grace.
cresc.
our
FANFARE 2
57
- nored Queen
No - ble
cresc.
66
3. Queen
of
f
while
Mold
our hearts
74
CHOIR SOPRANOS
Ho
-
ly
No
Ma - ry,
ble Vir - gin,
No - ble Vir - gin,
we
crown you,
may our tri - bute
Ho - nored
your love and
win your love and
all
our
Largamente
ff
gain us grace.
us grace.
ff
A
race;
A
ff
-
men.
-
men.
race;
Queen of
a - bove.
our
all
gain
Queen of
Ho - nored
homes
our
our tri - bute win
may
reach
God's love,
now
we
-
Till
of
His glo - ry
gran - deur
now we crown you,
78
speaks the
Ho - ly Ma - ry,
ALL OTHER VOICES
seek
to
cre - a - tion
Ped.
70
Man - kind,
51
VERSE 3 (Choir and Congregation)
f ALL VOICES
that in all things God may be glorified!!!
October 2007
commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival
MISA INMACULADA CONCEPCION
version for Cantor, Congregation (Unison) and Keyboard
Panginoon, Maawa Ka
Voices
Keyboard
Moderato ( q = c. 108 )
p legato
Pa
-
ngi - no - on, ma - a
mp
Ka.
Pa
-
ngi - no - on, ma - a
-
wa
Ka.
Pa
Fm
Eb9
15
-
wa
Ma
-
-
Ab/G
a
Fm7
wa
-
wa
Gsus
Kris
Cm
Cm/Bb
3
-
В© Copyright 2007 Alejandro D. Consolacion II
Published/owned by the Manila Cathedral-Basilica
Photocopying this copyright material is ILLEGAL.
to,
Ab
mf
sa
a
Fm7
ma - a
G
ngi - no - on, ma -
G
-
mf espress.
Fm9/D
Ka
CANTOR
min.
Ka,
23
with CONGREGATION
a
Ab
Cm/Bb
Cm
Cm
cresc.
8
ALEJANDRO D. CONSOLACION II
CANTOR
-
Eb/G
wa
2nd time to
-
-
G
cresc.
Ka.
56
29
Kris
-
ma
G/F
35
a
-
to,
Fm
wa
Ab
Ka.
Ma - a
wa
a
-
-
Fm7
-
ma -
G
G7
to,
sa
Gsus4
G
Ka
-
Cm9
-
Fm7
min.
min.
Cm
Kris
Fm/D
Cm
47
Ka.
wa
with CONGREGATION
43
-
dim.
p
a
Eb9
Ab9
-
57
Papuri Sa Diyos
Voices
Keyboard
Jubilant ( q. = c. 70 )
ANTIPHON
pu - ri
Eb
sa Diyos
sa
Eb/d
Eb
sa
22
an.
Eb
mf marcato
Diyos
sa
Ka - i - ta - a - san
Ab
Eb/G
cresc.
Cm7
at sa
Eb/Bb
lu -
pa'y
Fm
ka
-
Ab
Pa -
pa -
Pa -
Bb7
Ab/Eb
Gm7
cresc.
Db/F
ka - pa - ya - pa - an.
lu - pa'y
mf
Eb
Cm/Bb
Eb/d
2.
Eb
14
pu - ri
Ab/Eb
ka - i - ta - a - san, at sa
Cm7
Eb
Bb/Eb
mp
1.
mf marcato
6
CANTOR AND
CONGREGATION
ya
-
Bb4
Eb9/Bb Fm/Bb
pa -
CANTOR
1. At
CANTOR
2. Pa - ngi -
Ab/C
Eb Bb Eb Bb/D
Eb Bb/Eb
Ab/Eb
sa
58
30
lu -
pa'y
ka - pa - ya - pa - an
no - ong Diyos,
Eb
mf
Ha - ri ng
Ab/Eb
ong
Bb7
44
na - min,
nak.
He - su -
Ab/C
-
na -
Eb/Bb
sam - ba
Pa
-
ngi - no
-
f with CONGREGATION
kris - to,
min,
Ka
na - min,
ong
Bb
Eb
f with CONGREGATION
Si - na
Ka
Ab/C
Pa - ngi - no Eb
Pi - nu - pu - ri
Eb
may ma - bu - ting ka - lo - o - ban.
La - ngit, Diyos A - mang Ma - ka - pang - ya - ri - han sa la - hat.
Ab/Eb
37
sa ma - nga ta - ong
bug - tong
na
A -
Di - na
-
ra - ngal
Db/F
Ka
Ni - lu - lu - wal -
Diyos,
Kor - de
-
Bb
Cm
Gm Ab Cm f
51
ha - ti
ro
Ka
ng
na - min,
Pi - na - sa - sa- la - ma - tan
Ka
A -
ma,
Diyos,
A - nak
ng
59
na - min
cresc.
da - hil
f
A -
Gm
Ab
Fm7
Ab/G
Eb/G 58
sa
da - ki
-
la
Mong
kal - wal
nak
ng
-
ha
ti - an.
ff
-
ff
A -
ma.
Ab
Bb/D
Fm7 Bb Eb
Ab/G
64
mf marcato
to ANTIPHON
to ANTIPHON
Eb Bb
Ab/C
Bb/D
Ab/C
Eb
Eb
60
70
Andantino ( q. = c. 52 )
p
CANTOR
I - kaw
Ebm
Bbm/Eb
p legato
Ebm
Db/Eb
Ebm
Bbm/Eb
76
Ebm
Ebm
Abm/Eb
Ebm
Ebm/Db
Cb
Db/Eb
a - min,
sa
Abm
ma - a - wa Ka
Ebm/Bb
ng ma -
Ebm
with CONGREGATION
nga ka - sa - la - nan ng san - li - bu - tan, Ma - a - wa Ka sa
Ebm
na nag - a - a - lis
Db7/Eb
CANTOR
a - min.
I-
Ebm
with CONGREGATION
82
mf
kaw na nag - a - a - lis
Ebm Db/Eb
ng ma - nga ka - sa - la - nan ng san - li - bu- tan. Tang - ga - pin mo ang a - ming ka - hi - li ngan,
Ebm
Ebm
88
Db/Eb
Ebm
Abm
Cb/Gb
mf
I - kaw na na - lu - luk - lok
cresc.
Db/Eb
Ebm
Ebm/Gb
Ebm/Bb
CANTOR
pin mo ang a - ming ka - hi - li - ngan.
Abm
tang - ga -
ff
sa ka - nan ng A - ma,
Ebm
Ebm
Db/Eb
Ebm
ma -
95
CANTOR
mp rall.
with CONGREGATION
a - wa Ka
sa
a - min,
Ebm
mf marcato
1.
Ab/Eb
110
la - mang ang
118
ang
ka
-
Pa - ngi - no - on.
ta
-
as
-
ta - a - san.
Fm7
Bbsus4
Bb
CANTOR
mf
2.
cresc.
3. Sa - pag - kat
mf
I - kaw
Eb
Eb/Bb
Cm7
Ka - sa - ma
O He - su - kris - to
Eb/D
- mang,
Eb
mf
f with CONGREGATION
la - mang ang ba - nal,
I - kaw la
Eb/Bb
Cm/Bb
Fm7
Bb7
Eb
Db
Bb7
f
Bbmsus4
Eb
Eb Bb/Eb
min.
Cb/F
a -
mp
I - kaw
Ma - a - wa Ka sa
Ebm
Jubilant ( q. = c. 70 )
Eb
Cb/F
mf
a - min.
Cb/F
102
ma - a - wa Ka sa
61
ng Es - pi - ri - tu
Cm7
San - to,
Gm Ab Bb7
Cm
f
62
sa
Ka
-
ng
Diyos
lu - wal
-
ha - ti - an
ng
Diyos
A - ma,
A -
Cm Gm Ab Fm7
men,
A - ma,
A
-
men.
Eb/G
Fm7 Bb7 Eb Ab Ab/G
140
Eb
147
pu - ri
Bb7
Bb/D
Ab/C
Eb
sa
Diyos
sa
ka - i - ta
CANTOR and
CONGREGATION mf
Pa -
Eb
mf marcato
FINAL ANTIPHON
Ab/C
Bb/D
-
a - san,
at sa
lu - pa'y
ka - pa - ya -
Fm7 Eb/D Ab/C Eb/Bb Eb
Db/Ab 63
153
pa -
an.
159
lu
-
pa'y
ka
-
sa
Diyos
sa
Ka - i -
ta
pa
-
ya
-
pa
-
Eb/G Ab Eb/Bb Ab/Bb 167
an.
174
a -
men,
Fm7
a - san
at sa
mf marcato
men,
Fm/Eb
Ab/C
Eb Bb/D
Eb
Bb/D
Ab/C
Eb
Ab
-
Eb
A-
Eb/D
Ab/C
Eb/Bb
Fm7
cresc.
Eb
Pa - pu - ri
Db7
Ab Bb
a -
Eb4/G
men,
Db7
64
180
Keyboard
Cb
Eb9
Jubilant ( q. = c. 70 )
ff
Eb
sfz
1.
2.
Eb
Bb/Eb
Ab/C
Eb/Bb
lu
-
ia,
Eb
13
Al - le - lu
Db
Bb7
-
ia,
al - le
Eb/D
Eb
al - le
Cm7
ia,
-
Eb/Bb
Db
lu - ia,
Cm7
-
lu
Ab/C
al - le
Eb/Bb
Eb/G
Ab
Al - le -
Eb
-
ia.
Eb
-
lu
Bb7
Bb7
CANTOR
al - le - lu -
Eb/D
mf marcato
Alleluia
6
A - men!
Voices
-
ia.
Eb
65
21
CANTOR and
CONGREGATION
Al - le - lu
Db/Eb
27
ia,
al - le
-
-
Al - le - lu
ia.
Eb -
34
lu
Fm7
pa
-
Bb7
-
Gm
ta - ong
Ab
ia,
-
-
to 2nd ending
al - le - lu - ia,
Nag
-
al -
Gm7
Fm7
"Ma -
Ab
wi - ka ang Pa - ngi - no - on,
nag - ti - ti - pon sa
Eb/D Cm7
ia.
lad ang ma - nga
le
CANTOR
Eb
Cm7
40
-
-
Fm7 Gm7
al
Eb/G
Eb
Ab Bb7
le
lu - ia,
Bb7
Eb
lu
-
Fm7 Eb/Bb Eb/G
Ab Db/Bb
A - king Nga - lan."
Eb/G
Al - le -
66
44
lu - ia.
Absus4
Fm7
Keyboard
Fm7
lu
-
ia.
Bb7
Eb
no
-
14
ong Diyos
na
San
-
to,
San
-
an
Mo.
to.
Pa -ngi -
Db
la - ngit at
CANTOR and
CONGREGATION
lu - pa
Fm7
Ho - sa - na, ho - sa - na
Absus4
Bbm
-
E/G#
Db/C
Gb
Db
ka - lu - wal - ha - ti
to,
Gb
ng
ma - ka -pang - ya - ri - han, Na - pu - pu - no ang
C#
-
Db
CANTOR
San
-
Santo
7
le
Triumphantly ( q = c. 115 )
Voices
Al - le
Bb7
Eb/G
2nd ending
Ab7
Db
sa
67
21
ka
Gbm
-
Ab7
sa - na,
sa
Nga - lan
sa
ka
sa
ka
-
i - ta
a
ng
-
i - ta
C#
-
-
a - san.
-
Pa - ngi - no -
-
Bbm
on.
Absus4
-
Gbm
Ab
Gb
CANTOR
i - ta - a - san. Pi - nag - pa - la
E/G#
Ab/Db
Gbm
-
ho - sa - na
Db
Ab
Ho -
sa - na
ka
Gbm
Fm7
40
CANTOR and
CONGREGATION
na - pa - ri - ri - to
sa
Db
Ab 34
i - ta - a - san. Ho - sa - na, ho - sa - na
28
ang
san.
Db
Ab
Ho - sa - na,
Db
ho -
68
Misteryo ng Pananampalataya / Dakilang Amen
Voices
CONGREGATION
Si Kris - to ay na - ma- tay.
A
men, a - men.
Si Kris - to ay na - ma- tay. Si
A
men, a - men. A -
Keyboard
bu - hay.
men.
Si
A
Kris
-
-
to'y
men, a
Si
A
Kris - to ay
men,
Si
A
Kris - to
-
Kris - to'y na men, a -
CANTOR
CONGREGATION
kas ng pa - na - hon.
- men, a
men.
na - bu - hay.
men.
12
CONGREGATION
7 CANTOR
CANTOR
ay
men,
ba - ba - lik sa
a - men. A
ba - ba - lik sa
a - men, a
wa - kas ng pa - na - hon.
men, a
men.
wa -
69
Ama Namin
Andante ( q = c.67 )
Voices
Keyboard
Bbm9
Bbm
F/Bb
F/Bb
11
Ab7
16
yon
DbM7
Bb/D
Bb
di - to sa
Eb
a - raw
-
Fmsus4
Ebmsus4
Big
-
F
Ebm
a - raw.
At
Ebm/C
Mo po ka - mi nga -
Bb
yan
Cm
la - ngit.
Bbm
EbM7
Bbm9
Ma - pa - sa - a - min ang ka - ha - ri - an Mo,
Bb/D
lu - pa pa - ra ng sa
ng a - ming ka - ka - nin sa
Sun - din ang lo - ob Mo,
Ebm7Bb
Nga - lan Mo.
Bbm
Sam - ba - hin ang
Bbm9
la - ngit Ka,
Ebm7/Bb
Fsus4/Bb
A - ma na - min, su - ma - sa -
6 CANTOR and
CONGREGATION
pa
Bb/D
-
ta wa - rin Mo ka Asus4
A7
70
20
mi
sa
pa - ra nang pag - pa - pa -ta - wad na-min
a - ming ma - nga sa - la,
C
F Dm
26
h'wag Mo
po
ka - ming
Bb/F
Dm7
Eb9
i - pa - hin - tu - lot
sa
sa
Ebm9
Eb/Bb
tuk -
la - hat
-
sa
-
a - min.
At
ng ma - sa
Ebm/Bb
so,
at
Eb/G
-
sa - ma,
sa
Dm7
Gm
F/A
Eb/G
Ebm/Gb
la -
i - ad -
ma.
Bb
sa nag - ka - ka - sa - la sa
ng ma - sa
Bb/D
Gm
hat
34
Eb/G
Bb#4
ka - mi
Mo
Bb9
30
ya
Bb
Aklamasyon sa Ama Namin
Andante ( q = c.67 )
Voices
Keyboard
Eb/F
F7
Bb9
Bbaug
pa - sa - wa - lang hang - gan.
Bb/F
sa 'yo nag - mu -mu - la ang ka - pang - ya - ri - han at kal - wal - ha - ti - an,
Sa - pag - kat
6
CANTOR and
CONGREGATION
A
Eb
F7
-
Keyboard
Bb/A
Eb/G
mag -
A
Eb/Bb
men,
Eb/Bb
Bb
-
men.
Ebm7
Bb
Kordero Ng Diyos
Andante religioso ( q. = ca. 42 )
Voices
71
CANTOR
Kor - de - ro ng Diyos na nag - a
Ebm
Abm/Eb
Ebm
Abm
Eb
Db/Eb
Eb
-
a - lis
ng ma -
Db/Eb
72
nga ka - sa - la - nan ng
san - li - bu - tan,
Eb
Gb
Ma - a - wa Ka,
ma - a - wa Ka
Db
1.
10
min.
Ebm
Kor -
Ab7
15
san - li - bu - tan,
20
an.
Eb
Bb
Eb
Ab/Eb
Eb9
-
Fm7
Ab/Eb
Kor - de - ro ng Diyos na nag - a
ka - lo - ob Nin - yo
Eb
Ab
-
Ab
a - min
Cb
a - lis
Eb/Bb
ang
Fm7
ka - pa - ya - pa
Eb/Bb
-
Ab/Bb
Eb2
ng ma - nga ka - sa - la- nan ng
Abm
-
Ebm
Ab
Eb/G
Bb7
Eb/G
-
Cb
Fm
sa
a
Ab/Eb
I - pag
min.
CONGREGATION
Eb/Gb
Eb/G
Abm
CANTOR
sa
Bb
2.
CONGREGATION
5
That in all things, God may be glorified!!!
August 28, 2007
73
Mary Crowned with Living Light
ENTRANCE HYMN
Words
Wordsfrom
from Stanbrook
Stanbrook Abbey
Abbey
Additional
words by
byJean
JeanC.
C.Arevalo
Arrevalo
additional words
Alejandro D. Consolacion II
Moderato semplice ( q = 100 )
Bb
Voice
Keyboard
Gm/F
ho - li - ness,
pon
Bb
Bbaug
Db
Ab
Mys - te - ry
us
all.
Fa - ther, Son and
Free from sha - dow, you
Ma - ry mag - ni - fies
Eb
li
ving light,
В© Copyright 2007 by Alejandro D. Consolacion II
Published/owned by Manila Cathedral-Basilica
Photocopying this copyright material is ILLEGAL.
Cm7
F7
Hand - maid of the
C7
Bb/D
F/Eb
Lord,
Cho - sen Mo - ther
F7
grace.
days.
Eb
ple - ni - tude of
through e - ter - nal
Bb9/D
Hea - ven sings your
F9
-
Gm
ref - lect
Your name
Dm
In our fal - len
sin - less life,
Ho - ly Ghost,
Ab
the Word.
Ebm7
of
of
peace and
Gb/Bb
Who were named, u -
Place of
of
Ma - ry crowned with
D/F#
the Lord,
we fall,
F
Mo - ther
race,
praise,
D
Shel - ter
Bb
Tem - ple of
Lift
us when
F/C
F
li - ving light,
of
our God,
Db
Eb
C/E
the Cross,
17
Gm
Gm/F
12
Gm
1. Ma - ry crowned with
2. Vir - gin Mo - ther
6
F/A
Bb/D
Eb
of His Son,
74
23
Bb/F
Sa - viour
F7
Bb
all.
Ma - ry, Mo - ther
of
us
Eb
Bb/D
F/Eb
Eb
Bb
Cho - sen
from us
all.
F7
of His Son,
Bb/F
Remember O Mary, Immaculate
OFFERTORY HYMN
Text
вЂњMemorareвЂќ
Textbased
based on
on St.
St. BernardвЂ™s
Bernad's "Memorare"
Paraphased
ParaphrasedbybyMsgr.
Msgr.Nestor
NestorCerbo
Cerbo
Alejandro D. Consolacion II
Allgro e legato semplice ( q = 130 )
Verse 1
D
Re - mem -ber
G/B
A/C#
D
a - ny - one
who comes
Vir - gin,
that ne
G/B
G/B
A/C#
to
your
D
ver
was
it
known,
was left
A7
that
D
un - as - sis -
O
G/B
G/B
D
pro - tec - tion
A
-
2.
D
Im - ma - cu - late
Ma - ry
14
2.
1.
7
1.
ted.
D7
O
75
22
G
A7
D7
course to you.
G/B
us,
O
A7
D
us.
for
such
great
D
come.
A
G/B
pray
Verse 2
Mo -
ther,
to
A
be - fore
we
humb
you
you
A
Vir - gin,
G/B
G
With
D
for
Im - ma - cu - late
D
re -
C
Im - ma - cu - late
con - fi - dence,
G/B
Bm7
who have
Em7
us
F#m7
sin,
with - out
D
pray
con - ceived
ry
A/G
Em7
-
G/B
pray for
Ma
C
sin,
G
Bm7
48
42
35
F#m7
Ma - ry con - ceived with - out
29
A/G
-
ly
D
we
stand,
76
54
G
A7
sin - ful
yet
D
D7
sor - row - ful.
D
O
Refrain
us.
Holy Mother of our Saviour
COMMUNION HYMN
Words by Jean C. Arevalo
Alejandro D. Consolacion II
Moderato e dolce = ( q = 85 )
Verse 1
great
Ab
is
Cm
your
Cm
Bles
Db
sed
are
you,
Bbsus7
be -stowed on
you.
dwells
in you,
Bb7
from
Ab
a - mong
Bb/D
Mo - ther of our
Oh,how
Eb
Ho - ly
Eb/G
Bb7
Bb
Fm7
C/G
Spi - rit
the
-
Ab/C
Ab
and the grace
Cm/Bb
Sa - viour,
Cm
Fm
Gm7
beau - ty
Sa - viour,
11
Eb/G
Bb/D
Ho - ly Mo - ther of our
6
Eb
Gm7
Cm
all
wo - men,
77
Refrain
16
O
Gsus4
G7
mai - ning e
- ver vir - gin,
your
your faith
is
e - ver - las - ting,
Bb
Bb7/Ab
re -
Gb
im - ma - cu - late.
heart
Eb/G
O
Bles - sed
2nd time to
Ma - ry,
Mo
Abm
Bb7
Eb
Christ, His On - ly
Fm
Db7
- ther
of
Bb
Ab
and help
your
Gm7
gen - tle hand
Eb/G
Cm
Db
chil - dren,
who
to
Cm/Bb
Sa - viour,
Cm
Cm
Mo - ther of our
Come
Bb/D
Ho - ly
Eb/G
us with your
Verse 2 Eb
Lead
Ab
God,
Son.
Eb/G
your in - ter - ces - sion,
Abdim
Fm
Ma - ry,
ask
Bles - sed
Ab
F
Cm
Ebm
Eb/G
you.
37
Ab
32
Eb
God had cho - sen
27
Bb7
22
Fm
seek
we
to rise from
78
42
Ho - ly
Mo
Bb/D
- ther of
Bb
Sa
from
Eb
Cm7
sed
are
Fm7
Bb
God
had
-
wo - men,
Eb/G
you.
Eb/Bb
cho - sen
Ab
Abdim
Eb
Christ,
His
On
-
ly
Son.
Coda
Fm
Bles
all
- viour,
a - mong
Faug
Ab
Fm
Eb/G
you,
our
Cm
50
Eb
shame.
46
Bb
Holy Mary, Now We Crown You
FINAL HYMN
Words by Melvin Farell, S.S.
Alejandro D. Consolacion II
Andante ( q = 90 )
F
Bb/D
1. Glo - rious
2. Gate
of
3. Queen of
Queen, look
Hea - ven
Man - kind,
C
F
F/A
down
you
while
in
kind - ness,
were Mo - ther,
cre - a - tion
Bb
while be - fore
to
the King
speaks the gran -
your
of
deur
G/B
throne
heav'n
of
C
we stand,
and earth.
God's love.
79
5
Bring
Now
Mold
C/E
F
God's bles - sing
be Mo - ther
our hearts to
to
to
seek
- dren,
- jects,
- ry
Watch
In
'til
our
our
we
your chil
your sub
His glo
Bb
F/A
Bb
homes
souls
reach
and
give
our
F/C
C7
F
F/Eb
guard our land.
Je - sus birth.
home
a - bove.
Refrain
Bb/D
Ho
Eb
-
ly
Ma
13
Dm
9
A/C#
Bb/D
No - ble
Vir
-
ry,
Eb
Bb
now
we
Cm7
gin,
may
our
tri
Ho - nored Queen of
all
D
Eb
bute
win
your
love
Gm7
-
Dm7
F
Gm
crown you,
-
F7
C7
F
our
race;
F
Bb
and
gain
us
grace.
that in all things God may be glorified!!!
October 2007
SELECTED SACRED WORKS OF ALEJANDRO D. CONSOLACION II
CHURCH ANTHEMS
May God Guide Each Step
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Aba Ginoong Maria
O Salutaris Hostia
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Alleluia
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Pater Noster
Ave Regina Coelorum
IRU0L[HGYRLFHVXQDFFRPSDQLHG
IRU66$$XQDFFRPSDQLHG
Version for mixed voices is different for treble voices
IRU7UHEOHYRLFHVVWULQJV
Behold the Wood of the Cross
Pange Lingua
IRU0L[HGYRLFHVNH\ERDUG
Dona Nobis Pacem
IRUSDUWFKRLUSLDQRRURUFKHVWUD
IRU0L[HGYRLFHVXQDFFRPSDQLHG
IRU66$XQDFFRPSDQLHG
Regina Coeli
Cantate Domino
IRU0L[HGYRLFHVXQDFFRPSDQLHG
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IRU66$NH\ERDUGRURUFKHVWUD
Materials for orchestra is suitable for both versions
IRU7UHEOHYRLFHVVWULQJV
Salve Regina
IRU66$$XQDFFRPSDQLHG
Christ our Light
Sing to the Lord
ChildвЂ™s Prayer
Tantum Ergo
IRU7UHEOHYRLFHV
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*RGRI,QВїQLWH&RPSDVVLRQ
Veni Creator Spiritus
IRU6$7%RUJDQRUVWULQJVDQGKDUS
IRU66$RUJDQ
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I Will Magnify Thee, O God and my King
Kyrie
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IRU66$RUJDQRURUFKHVWUD
Materials for orchestra is suitable for both versions
IRU0L[HGYRLFHVRUJDQ
MUSIC FOR THE EUCHARIST AND SERVICES
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Misa ng Pagbabalik-loob
Let Christ Into Your Life
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Worship the Lord in Beauty of Holiness
Mass of St. Scholastica
IRU66$SLDQRRURUFKHVWUD
IRU6$7%SLDQRRURUFKHVWUD
Lord God, our Father
IRU6$7%XQDFFRPSDQLHG
IRU66$RUJDQ
Music for the Holy Eucharist, No. 1
IRU6$7%RUJDQRURUFKHVWUD
IRU66$RUJDQRURUFKHVWUD
Materials for orchestra is suitable for both versions
IRU&RQJUHJDWLRQRUJDQ
Music for the Holy Eucharist, No. 2
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Lord Jesus, Sun of Righteousness
Nuct Dimitiis
MaryвЂ™s Lullay
Te Deum
IRU0L[HGYRLFHVRUJDQ
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IRU6ROR%DULWRQHDQG&KRLURUJDQ
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For Inquiries:
Alejandro D. Consolacion II
(+63915) 861-8013 / (+63920) 920-2289
(+63922) 825-5326 / (+63922) 837-5326
adconz@yahoo.com
ALEJANDRO D. CONSOLACION II enjoys his dual career
as Organist and Composer. He studied piano under the tutelage of
J. Greg Zuniega. Professor Armando Salarza also contributed to
his musicianship as his pipe organ teacher. He studied composition
under Manuel Maramba, OSB and Dr. Jonas Baes at the St.
ScholasticaвЂ™s College, where he was a recipient of the Sister Baptista
Battig Music Scholarship.
AJ, as Consolacion is fondly called, is regularly invited to
write music for the International Bamboo Organ Festival, the San
Agustin Music Festival and the National Music Competition for
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small to large-scale chorale works, music for solo instrument,
chamber music to orchestral and full length musicals. His chorale
works are widely performed not only in the Philippines but also
in the whole of Asia. His Alleluia (2002) was premiered by the
Asian Youth Choir at the Pablo Casals Hall in Tokyo, Japan and
was performed in and won Second Prize at the Sacred Polyphonic
Category by the University of the East Chorale at the 2003 Guido
dвЂ™ Arrezo Choir Competition held in Italy. ConsolacionвЂ™s ChildвЂ™s
Prayer (2006), Four Marian Antiphons (2005), Ave Verum
(2004), Dona Nobis Pacem (2004), Pater Noster (2002) and Three
Eucharistic Prayers of St. Thomas Aquinas (2001) are among the
chorale works well-loved and popularly included in the repertoires
of Filipino choirs. Harmonia Ltd. in Japan did publications of his
music. His music for Violin and Piano Nocturne (2005) and Tanz
(2005) were commissioned competition pieces for the NAMCYA.
AJ has been the composer-in-residence for and accompanist of the
Mandaluyong ChildrenвЂ™s Choir since 2004. The Las PiГ±as Boys
Choir, who regularly commissions him, premiered most of his
works for treble voices during the yearly International Bamboo
Organ Festival.
As an Organist, he was invited to perform for her Royal Highness
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performs as a pianist, organist, accompanist and conductor for small
and large crowds here and abroad. He held the position as Organist
for the Spanish Baroque Organ at the San Agustin Church (19992001) in Manila and the Church of the Holy Trinity in Forbes Park,
Makati (2001-2007). Presently, he is the Titular Organist of the
Union Church of Manila and Sub-Organist at the Sanctuario de San
Antonio Church in Forbes Park, Makati and the Manila Cathedral in
Intramuros where he also teaches and trains organists.
AJ is widely known and respected for his gift of
improvisation attributed to his lush harmonies,
chant-like melodies and witty syncopated
rhythms, which give his works a
unique spiritual language.
Cathedral-Basilica of the Immaculate Conception
MANILA METROPOLITAN CATHEDRAL-BASILICA
Cabildo cor. Beaterio, Intramuros, Manila
Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192
Mobile: 0917.400.9131, 0928.743.0067
E-mail: mlacathedral@yahoo.com, mlacathedral@hotmail.com
www.manilacathedral.org

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