New York | +1 212 606 7176 | Lauren Gioia | Lauren.Gioia@Sothebys.com | Darrell Rocha | Darrell.Rocha@Sothebys.com
Sotheby’s Announces Highlights from the
November Evening Sale of
IMPRESSIONIST & MODERN ART
Featuring Edvard Munch’s Stunning
GIRLS ON THE BRIDGE
– Estimated in Excess of $50 Million –
AUCTION IN NEW YORK 14 NOVEMBER 2016
Sotheby’s Public Exhibitions of
Impressionist & Modern and Contemporary Art
Open 4 November on York Avenue
NEW YORK, 21 October 2016 – Sotheby’s is pleased to
unveil highlights from its upcoming Evening Sale of
Impressionist & Modern Art in New York. The 14
November auction will be led by Edvard Munch’s seminal
Pikene på broen (Girls on the Bridge) from 1902 – one
of the most powerful paintings of the artist’s career,
which is estimated to achieve in excess of $50 million.
Sotheby’s marquee autumn auctions of Impressionist &
Modern and Contemporary Art will be on view in our
York Avenue galleries beginning 4 November.
A MASTERWORK BY EDVARD MUNCH
Simon Shaw, Co-Head of Sotheby’s Worldwide Impressionist & Modern Art Department, commented:
“Edvard Munch’s importance to the full breadth of 20th century art cannot be overstated. From the
Expressionists to Fauvism and Pop Art, his oeuvre is increasingly prized for its lasting influence on
the art of recent times. Munch pioneered the art of the self: recent museum shows pairing his work
with that of artists ranging from Vincent van Gogh to Robert Mapplethorpe, Louise Bourgeois,
Jasper Johns and Andy Warhol – among many others – have illustrated that his genius burns
brighter today than ever. Our team has been privileged to present some of the artist’s most
exceptional works at auction, each of which has caused great excitement in the market, and Girls on
the Bridge is no exception.” Separate release available
Sotheby’s has been the stage for two decades of market-defining moments for the work of Edvard
Munch, beginning with the 1996 sale of the present painting for a then-record $7.7 million. In 2006,
Sotheby’s London held a historic sale of eight works by Munch from the collection of his patron
Thomas Olsen, which together achieved nearly $30 million and established a new record when
Summer Day sold for $10.8 million. Sotheby’s broke the artist’s record twice in 2008: first (and
again) with Girls on the Bridge (sold for $30.8 million), followed just six months later by Vampire
(sold for $38.2 million). In 2012, Sotheby’s had the great privilege of auctioning one of four versions
of Munch’s iconic The Scream, which brought a world auction record price for any work of art: $119.9
million.
PAINTINGS & SCULPTURE BY PICASSO
Sotheby’s will present property from the collection of
Joan Oestreich Kend across a series of sales this
autumn in New York. The works are led by Pablo
Picasso’s Le Peintre et son modèle, which will be
offered in the Impressionist & Modern Art Evening Sale
with an estimate of $12/18 million. Painted in 1963 and
measuring more than five feet across, the painting
exemplifies the dynamic force of the artist’s late work
on a magnificent scale. Here Picasso depicts the
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powerful relationship between artist and model, one of the greatest recurring motifs of his late
career. In this striking example, the male figure – a recognizable amalgamation of self-portraits –
paints a female nude reminiscent of the female subjects of Rubens and Ingres. Le Peintre et son
modèle is entirely fresh to the market, having descended through the Oestreich family since it was
acquired in 1968 from Galerie Louise Leiris, Paris.
The selection of sculpture on offer is led by Picasso’s Tête de
femme, which has remained in the same collection for three
decades (estimate $6/8 million). With triumphant presence and
exceptional confidence, the bronze bust from 1951 conveys the
sense of optimism characteristic of Picasso’s post-war oeuvre.
The model for the present work is the artist's lover and muse from
this period, Françoise Gilot. Within the trajectory of Picasso's
portraiture, Françoise's visage has come to signify a time of
intense happiness for the artist.
A FLORAL STILL-LIFE BY VAN GOGH
Bursting with vivid hues of red, orange and yellow, Nature morte:
vase aux glaïeuls exemplifies the genius of Van Gogh during one
of the most transformative periods of his career (estimate $5/7
million). When the artist first arrived in Paris in 1886, he had
never seen an Impressionist picture, as works by Monet, Degas,
Pissarro and the other Impressionists were not exhibited in the
Netherlands until 1888. Teeming with newfound coloration,
Nature morte: vase aux glaïeuls is one of the earliest examples of
the vibrant floral still-lifes that would come to define Van Gogh’s
work. Early ownership of the painting includes Théodore Duret,
the renowned French journalist and art critic, and Paul Cassirer,
the German art dealer who played a significant role in the
promotion of the French Impressionist & Post-Impressionist artists.
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A LEMPICKA PORTRAIT
FROM THE COLLECTION OF FASHION LEGENDS
Tamara de Lempicka's sexy, bold and ultra-stylized Portrait de
Guido Sommi illustrates the sleek aesthetic of the Roaring Twenties,
and is a rare depiction of a male subject within the artist’s career
(estimate $4/6 million). The work comes to auction this November
from the collection of Kenneth Paul Block, one of the most influential
fashion illustrators of the 20th century, and Morton Ribyat, a noted
textile designer who ran the design departments at two major firms.
As the chief features artist for Women’s Wear Daily, Mr. Block was
well-known for his sophisticated drawings of the latest styles and the
women who wore them. For decades he drew the collections of major
American and European designers – from Norell, Halston and
Galanos, to Balenciaga, Chanel and Saint Laurent.
PIONEERS OF ABSTRACTION
The Evening Sale will offer a number of works by artists fundamental to the birth of abstract art in
the early-20th century, including László Moholy-Nagy, František Kupka and Wassily Kandinsky. The
selection features two works by Moholy-Nagy that were most recently
on view at the Solomon R. Guggenheim Museum in New York, as part
of the acclaimed retrospective Moholy-Nagy, Future Present.
Conceived in 1922 and executed in 1923, EM 1 Telephonbild is a
masterwork of 20th-century conceptual art (estimate $3/4 million). In
the early 1920s, Moholy-Nagy fervently sought a new mode of
expression that would place him at the forefront of the avant-garde. In
addition to Duchamp and the readymade, Moholy-Nagy turned to the
ideal of the engineer-artist and joined in the Constructivist and
Productivist belief that easel painting was dead. In its place, industrial
technologies could make prototypes of art that would later be
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produced for the masses. Despite his interest in this avant-garde means of production, the
Telephonbild enamel series was Moholy-Nagy’s only painting executed solely by machine.
A CUBIST COMPOSITION BY DIEGO RIVERA
Presented this season as part of the Impressionist & Modern Art
sales is iconic Mexican artist Diego Rivera’s Sans titre
(composition
cubiste),
painted
circa
1916
(estimate
$500/700,000). As a young artist, Rivera traveled to Europe to
continue his artistic training. He lived in Paris for over a decade,
where he was immersed in the world of other young artists who
had gathered from all over the globe. Rivera’s cubist works from
this period – of which Sans titre is a prime example – are often
compared to those of Pablo Picasso, with whom he formed a
strong friendship after meeting in 1914.
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*Estimates do not include buyer’s premium and prices achieved include the hammer price plus buyer’s premium.
Images are available upon request
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